Novatek South Addition Mural

Novatek South Addition Mural
This mural measures 22 feet high by 200 feet long

FINISHED MURAL WITH NEW FAUX MARBLE FLOOR

FINISHED MURAL WITH NEW FAUX MARBLE FLOOR
Here is a section of the mural finished with the new floor.

REFLECTIONS

REFLECTIONS
more floor, less mural

FINISHED FIRST SECTION

FINISHED FIRST SECTION
The mural is now finished. This is the first section.

FINISHED SECOND SECTION

FINISHED SECOND SECTION
All the highlights and shadows are now finished on the snow and all over the rest of the mural.

FINAL THIRD SECTION

FINAL THIRD SECTION
We tried to capture the twilight time of day. I think we were successful.

FINISHED FOURTH SECTION

FINISHED FOURTH SECTION
Even the tops of the trees indicate the last few moments early evening light.

FINISHED FIFTH SECTION

FINISHED FIFTH SECTION
I like the way the shadow and light plays on the rocky Timpanogos slopes.

FINISHED SIXTH SECTION

FINISHED SIXTH SECTION
Provo Canyon.

FINISHED SEVENTH SECTION

FINISHED SEVENTH SECTION
I love the way the shadows and light bring out the rock forms on Cascade Peak.

ELK CLOSE UP

ELK CLOSE UP
I'm not really a wildlife painter, yet I feel pretty good about how this bull elk turned out.

EIGHTH SECTION

EIGHTH SECTION
Squaw Peak (the one with the red scrub oak trees on it's slopes) is mosly in shadow, but with a sliver of light at the top.

FINISHED NINTH SECTION

FINISHED NINTH SECTION
The middle section of Squaw Peak.

SQUAW PEAK

SQUAW PEAK
THis looks so real, it's like you can walk right through it! Pick any door.

LAST SECTION

LAST SECTION
This shows Rock Canyon during the last few moments of evening light.

Monday, August 29, 2011

GOOD PROGRESS TODAY

It looks like by the end of the week we might have al the mountains blocked in with a good amount of form so they won't look so flat. I do like the postery graphic patterns which are developing though. They show good gestault, which means that the positive and negative shapes ( patterns ) balance very well together. Since the mural as a whole looks pretty solid in it's simplified graphically abstract forms, this is a good sign that the scene will hold together well to a more detailed finish. In this project, I plan to keep the details simplified. Mood quality and nailing the colors so they look atmospheric, is the most important here.

As long as I don't have too many interruptions this week, I think it is possible to have some consistent identifiable form on all the mountains and in the foreground shapes by the weeks end. We'll see how it goes.

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