Novatek South Addition Mural

Novatek South Addition Mural
This mural measures 22 feet high by 200 feet long

FINISHED MURAL WITH NEW FAUX MARBLE FLOOR

FINISHED MURAL WITH NEW FAUX MARBLE FLOOR
Here is a section of the mural finished with the new floor.

REFLECTIONS

REFLECTIONS
more floor, less mural

FINISHED FIRST SECTION

FINISHED FIRST SECTION
The mural is now finished. This is the first section.

FINISHED SECOND SECTION

FINISHED SECOND SECTION
All the highlights and shadows are now finished on the snow and all over the rest of the mural.

FINAL THIRD SECTION

FINAL THIRD SECTION
We tried to capture the twilight time of day. I think we were successful.

FINISHED FOURTH SECTION

FINISHED FOURTH SECTION
Even the tops of the trees indicate the last few moments early evening light.

FINISHED FIFTH SECTION

FINISHED FIFTH SECTION
I like the way the shadow and light plays on the rocky Timpanogos slopes.

FINISHED SIXTH SECTION

FINISHED SIXTH SECTION
Provo Canyon.

FINISHED SEVENTH SECTION

FINISHED SEVENTH SECTION
I love the way the shadows and light bring out the rock forms on Cascade Peak.

ELK CLOSE UP

ELK CLOSE UP
I'm not really a wildlife painter, yet I feel pretty good about how this bull elk turned out.

EIGHTH SECTION

EIGHTH SECTION
Squaw Peak (the one with the red scrub oak trees on it's slopes) is mosly in shadow, but with a sliver of light at the top.

FINISHED NINTH SECTION

FINISHED NINTH SECTION
The middle section of Squaw Peak.

SQUAW PEAK

SQUAW PEAK
THis looks so real, it's like you can walk right through it! Pick any door.

LAST SECTION

LAST SECTION
This shows Rock Canyon during the last few moments of evening light.

Wednesday, July 27, 2011

MORE PROGRESS ON THE SKY

Yesterday, I was a bit frustrated with the paint and the colors I was using. I didn't make as much progress as I had hoped to that day. Today I did much better. This morning, someone made a comment about using an airless sprayer, claiming they would have the sky painted in no time if they were doing it. The truth is, it may be faster and I had considered spraying in the sky on this mural and on previous murals, but I always go back to doing it by hand. Why would I do that? Why not use a spray gun if it is faster? Speed is not what is important to me in the end when it comes to quality and the technical effect. I want the end result to have a fine art or museum quality about it, not a run-of-the-mill commercial look. If I cranked it out like everyone else, It wouldn't have the extra something which sets my murals apart from everyone else. Cheap looking faux effects or a slick commercial look would ruin the effect. If the mural lacks heart and soul, if it lacks emotion, then I haven't done my job.

As I had mentioned on a post from an earlier mural project this year; It is an interesting coincidence that the clients production level has skyrocketed in terms of the number of patents granted to the company in the last decade. I started painting my brand of indoor murals for Novatek in the fall of 2001, a decade ago. Novatek has won more patents per year than any other company in Utah. The company CEO has also been voted the number one inventor in the state of Utah for the past several years. Have my murals contributed to this interesting rise in productivity? I like to think so. Many Novatek employees believe the artwork on the walls really has made a difference. There ARE proven studies available which have measured the effect art in the corporate workplace. A study called the BCA study has shown strong evidence that art has a positive effect on the corporate employee. For more information go to www.themeroommurals.blogspot.com and read my blog post there for more details on this study.

My mural technique does employ a few tricks I learned while working in the sign industry, which began  more than a decade ago, but I am an artist first and I have had this ambition since I can remember. I minimize the tricks and aim for an artsy kind of a look first. I grew up watching my dad painting at his easel, running a plein air painting school in the summer and painting signs the rest of the year. In 1980, dad retired from the sign business which I took over and and he became a full-time gallery artist. I also began putting my artwork in a few art galleries. I have always had something to do with fine art my entire professional career. It is too much in my blood and I'm not about to give it up for some cheap, though faster commercial effect, especially if the final result does not meet my standard. If your going to paint it big, do it right. Put some artistic pride into it.

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